| 小林多喜二与壁小说 |
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| 引用本文： | 渡边晴夫,李萍.小林多喜二与壁小说[J].佛山科学技术学院学报(社会科学版),2010,28(4):35-39. |
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| 作者姓名： | 渡边晴夫 李萍 |
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| 作者单位： | 1. 国学院大学,中文系,日本,东京,1500000
2. 青岛大学日语系 |
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| 摘 要： | 在1930年代初日本出现了叫做壁小说（中文叫墙头小说）的微型小说。当时日本的无产阶级文艺运动提倡创作这形式的作品是接受前苏联的文艺理论家卢那查尔斯基的劝告而实践的结果。小林多喜二率先倡导与创作壁小说。壁小说能够被劳动群众广泛接受,它肩负着倡议者的热情与期待而登场,留下了相当数量的优秀作品,但作为一种体裁,它并没有得到充分发展便匆匆夭折。
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| 关 键 词： | 小林多喜二 壁小说 评价 |
Takiji Kobayashi and Wall(-paper) Short Story |
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| Institution: | Haruo Watanabe(Japan) (Department of Literature, Kokugakuin University, Tokyo 1500000, Japan) |
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| Abstract: | In Japan there was a kind of mini-fiction called wall（-paper） stories at the beginning of 1930s. This new genre was formed due to the acceptance of the advice of Anatoly Vasilievich Lunacharsky from the USSR. Takiji Kobayashi, Secretary of the Association of Proletarian Writers of Japan, took the initiative in advocating and writing wall stories. This paper intends to clarify Kobayashi＇s theory on writing wall stories, the then development of wall and the reviews of some critics on them. Kiyoshi Eguchi and Yasunari Kawabata praised Kobayashi＇s story titled Letter highly. Their review showed the high level of Kobayashi＇s work. To our regret, wall stories in Japan flourished for only two years, and declined under the pressure of the Japanese government. |
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| Keywords: | Takiji Kobayashi wall（-paper） short story review |
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