| 音乐艺术审美关系初探——兼论《淮南子》中的音乐审美观念 |
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| 引用本文： | 陈彤.音乐艺术审美关系初探——兼论《淮南子》中的音乐审美观念[J].南京航空航天大学学报(社会科学版),2006,8(1):55-58. |
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| 作者姓名： | 陈彤 |
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| 作者单位： | 苏州教育学院,艺术系,江苏,苏州,215002 |
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| 摘 要： | 音乐审美关系与价值关系一样,存在于审美主客体的协调、融合之中,因此,审美主客体之间的协调、融合是构建音乐艺术审美关系的基础。此外,音乐审美客体必须做到内容与形式的统一,才能产生巨大的艺术魅力,而音乐审美客体的内心体验是“不传之道”,是使其产生艺术感染力的源泉。
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| 关 键 词： | 音乐美学 审美关系 审美客体 《淮南子》 |
| 文章编号： | 1671-2129(2006)01-0055-04 |
| 修稿时间： | 2005年10月6日 |
Research of the Aesthetic Relationship of Music Art-- An Aesthetic Look into the Musical View in Huai Nan Zi |
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| CHEN Tong.Research of the Aesthetic Relationship of Music Art-- An Aesthetic Look into the Musical View in Huai Nan Zi[J].Journal of Nanjing University of Aeronautics & Astronautics(Social Sciences),2006,8(1):55-58. |
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| Authors: | CHEN Tong |
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| Abstract: | The aesthetic relationship of music,the same as value relationship,exists in the harmony and combination of aesthetic subject and object.Therefore,the harmony and mixture between aesthetic subject and object are the basis on which the aesthetic relationship of music art is built.Besides,it is necessary for the aesthetic object of music to achieve the unity of content and form in order to produce tremendous art attraction.The inner experience of the aesthetic object of music is beyond telling,which is the source to produce art appeal. |
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| Keywords: | music aesthetics aesthetic relationship aesthetic object Huai Nan Zi |
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