| 论贝多芬钢琴奏鸣曲的创作风格 |
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| 引用本文： | 李京红.论贝多芬钢琴奏鸣曲的创作风格[J].佛山科学技术学院学报(社会科学版),2003,21(3):45-46. |
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| 作者姓名： | 李京红 |
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| 作者单位： | 天津音乐学院,天津,300171 |
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| 摘 要： | 贝多芬所创作的钢琴奏鸣曲是对音乐艺术的巨大贡献。他一直努力致力于突破古典奏鸣曲的形式的约束,以形成他的奏鸣曲在风格和形式的独特之处。他的创作历程分为早期、中期、晚期,三个时期都呈现了不同的创作风格。
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| 关 键 词： | 内容 奏鸣曲式 创作特点 |
| 文章编号： | 1008-018X(2003)03-0045-02 |
| 修稿时间： | 2003年5月12日 |
On the Composing Style of Beethoven's Piano Sonato |
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| Abstract: | The piano sonatoes composed by Beethoven are his great contribution to the musical art. He developed unique features in the style and form of his sonatoes while he was fully devoted to getting rid of the bindings of classical sonatoes. His composing process includes early stage, middle stage and late stage, each with a different composing style. |
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| Keywords: | content Sonato melody' form composing features |
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