宋明理学与画学

本文运用了跨学科的比较方法,梳理了宋明理学与绘画美学的发展关系。认为道学与心学的融合对立表现在绘画美学中,是山水画从有我之境到无我之境的转变和对继承与创新的讨论。这种思想变化在明末清初的画家石涛身上表现得尤为突出,他显示出文人画家在遭遇突变后的复杂心态。而《苦瓜和尚画语录》的撰写,代表了哲学与美学结合的智慧结晶,体现了明清画论的最高水平。

Compare with Philosophy and Aesthetics of the Song and Ming Dynasties

This article analyses the history of the philosophy and aesthetics from Song dynasty to Qing dynasty and gets the conclusion of it which is Chinese painting changed into expression from realistic.Moreover,artists discussed whether Chinese painting should need study from forerunner.Shi Tao is a typical character in all of them.His art masterpiece represents the highest level in this period.