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五七言诗体赋论略
引用本文:赵成林. 五七言诗体赋论略[J]. 武汉大学学报(人文科学版), 2009, 0(3): 276-280
作者姓名:赵成林
作者单位:湘潭大学文学与新闻学院副教授,湖南湘潭411105
基金项目:国家社会科学基金项目(08CZW022);湖南省教育厅优秀青年项目(088080)
摘    要:五七言诗体赋萌动于汉赋的“乱”辞,然而直到骈赋发展到顶峰而寻求新变的齐梁时期,诗体赋才得以出现。五七言和四六言分别是诗和赋的当体句式,二者虽节奏、音情效果迥异,然亦可相互转换。辞赋对五七言句式的吸纳,有瓦解赋体的危险,所以诗体赋未能成为辞赋家族中的大宗。

关 键 词:诗体赋  诗化  句式

A Study on Five-or-seven-word Poetical Prose
Zhao Chenglin. A Study on Five-or-seven-word Poetical Prose[J]. Wuhan University Journal (Humanity Sciences), 2009, 0(3): 276-280
Authors:Zhao Chenglin
Affiliation:Zhao Chenglin (Literature and Journalism School, Xiangtan University, Xiangtan 411105, Hu'nan, China)
Abstract:Five-or-seven-word poetical prose germinated in the "luan" Ci of Han Fu, however, until Qi and Liang Period that parallel-prose and rhyme-prose developed to the peak and searched for new variable, it was able to appear. Five and seven-word & four and six-word are separately the current sentence of poetic prose. They have different rhythm and emotional effects of music, but could be convert each other . Because of the absorption of five and seven-word sentence to Cifu, Fu has the danger of collapse, so poetic prose failed to become the mainstream of the Cifu family.
Keywords:poetical prose  poeticization  pattern
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