彼时无声胜有声：“通俗市民主义”与中国电影音乐的奠基

鸳鸯蝴蝶派作为影响中国电影的重要流派，在电影音乐创作上同样值得重视。鸳鸯蝴蝶派是中国电影音乐创作的主力，但在电影音乐研究中，音乐的民族性与政治性的结合，成为新中国电影音乐研究的主调，鸳鸯蝴蝶派的电影音乐创作往往被忽视甚至批判。如果将电影音乐创作者、电影音乐作品和电影音乐观众置于中国音乐发展的整体环境中考虑，就能看出鸳鸯蝴蝶派对中国电影音乐的贡献所在。20世纪20年代通俗音乐与文学的双重影响，为后来电影音乐的产生奠定了基础。在鸳鸯蝴蝶派小说、电影中建构起来的通俗市民主义空间，是中国电影音乐发展的重要环境。鸳鸯蝴蝶派自身音乐素养的培养与诗词曲赋的创作、发表，亦成为20世纪40年代他们投身电影音乐创作的重要准备。

Silent Sound: Popular Citizen Socialism and Chinese Film Music

The School of Mandarin Duck and Butterfly has great influence on films in China, which is the main force in creating movie music. However, in the study of movie music, the combination of nationality and polity became the core, while movie music creation of the School of Mandarin Duck and Butterfly authors was ignored and criticized. If we put the authors, works and audience of movie music into consideration, we can see the School of Mandarin Duck and Butterfly''s contribution to movie music and literature. The influence of popular music and literature in the 1920s laid the foundation for movie music. The Mandarin Duck and Butterfly School''s novels and movies offered important environment for the development of movie music. The Mandarin Duck and Butterfly School''s self training and creation in music and poems made full preparation for their dedication to movie music in the 1940s.