从康德到鲍德里亚——基于“审美距离”的多维解读

距离概念的提出源于对文本的纯审美关注,古典主义美学家康德的"审美无功利"命题为其提供了理论支撑.在现代文学批评中,审美距离理论主要强调主体与文本的一种认知距离.当下文化研究的异军突起,使得对审美距离的阐释不再立足于审美心理与文本接受层面,而是体现为现代个体及其艺术对外在物化现实的审美超越上.在不同的阐释语境中,距离体现并表征着不同的审美文化形态和逻辑.

From Kant to Baudrillard——Multiple Interpretations Based on "Aesthetic Distance"

The concept of distance is put forward due to the attention to pure aesthetics of text and the proposition of non-utility of aesthetics of classical aesthetic Kant provides theoretical support for it.In modern literary criticism,theory of aesthetic distance mainly emphasizes a cognitive distance between subject and text.Currently cultural study becomes the dark horse,resulting in an interpretation not based on aesthetic psychology or the acceptation of text,but on the aesthetic transcendence of modern indiv...