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个人话语对宏大历史叙事模式的消解
引用本文:王衍营.个人话语对宏大历史叙事模式的消解[J].吉林工程技术师范学院学报,2010,26(10):22-24.
作者姓名:王衍营
作者单位:山东师范大学文学院,山东济南250014
摘    要:姜文的作品带有明显的"个性印记",他用"姜文化的电影语言"演绎着自己对历史的记忆,以全新、颠覆性的视角来重新讲述历史。姜文的三部作品《阳光灿烂的日子》、《鬼子来了》、《太阳照常升起》都以极具个性化的电影语言,构筑起独特的个人话语空间,消解着传统的宏大历史叙事模式,直指那段在人们的记忆中无法抹去的动荡、荒谬、压抑的历史。

关 键 词:姜文  个人话语  权威叙事  消解

Destruction of Authoritative Narration with Personal Discourse
WANG Yan-ying.Destruction of Authoritative Narration with Personal Discourse[J].Journal of Jilin Teachers Institute of Engineering and Technology(Natural Sciences Edition),2010,26(10):22-24.
Authors:WANG Yan-ying
Institution:WANG Yan-ying(Literary College,Shandong Normal University,Jinan Shandong 250014,China)
Abstract:Movies by Jiang Wen are strongly stamped with his own characteristics,in which he recounts the history from a fresh destructive perspective and shows the audience his interpreta-tion of the historical memories by means of the Jiang Wen-style movie language.In his three representative works,In The Heat of the Sun,Devils on the Doorstep and The Sun Also Rises,Jiang Wen deconstructs the traditional authoritative narration of history with a special personal discourse,and in this way Jiang Wen retells the turbulent and oppressive history of absurdity that cannot be removed from the memories of Chinese people.
Keywords:Jiang Wen  personal discourse  authoritative narration  destruction
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