| 论悲剧痛感和快感--对悲剧审美主体情感活动规律的分析 |
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| 引用本文： | 胡泽球.论悲剧痛感和快感--对悲剧审美主体情感活动规律的分析[J].宁波大学学报(人文科学版),2005,18(4):24-27. |
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| 作者姓名： | 胡泽球 |
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| 作者单位： | 宁波大学,文学院,浙江,宁波,315211 |
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| 摘 要： | 悲剧审美活动是一个极其复杂的心理过程,其中主体产生的情感形态具有对立性、相似性的特点;诸情感形态的复合体是一个呈现动态混同性的网络结构;悲剧审美主体情感活动在整体上保持动态平衡的发展趋势,痛感群与快感群存在瞬息的高峰逆转.
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| 关 键 词： | 悲剧痛感 悲剧快感 高峰逆转 |
| 文章编号： | 1001-5124(2005)04-0024-04 |
| 修稿时间： | 2004年7月15日 |
The Keenly Feel and the Large Charge of Tragedy: an Analysis of the Regularities of the Emotional Activities of the Aesthetic Subjects of Tragedy |
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| HU Ze-qiu.The Keenly Feel and the Large Charge of Tragedy: an Analysis of the Regularities of the Emotional Activities of the Aesthetic Subjects of Tragedy[J].Journal of Ningbo University(Liberal Arts Edition),2005,18(4):24-27. |
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| Authors: | HU Ze-qiu |
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| Abstract: | The aesthetic reading of tragedies is a very complicated psychological process. The Aesthetic subjects produce emotions whose forms can be both contradictory and similar to each other. The complex of emotions in their various forms is an intertwining dynamic network characterized by multidimensionality and multi-polarity. The aesthetic subjects' emotional activities tend to retain a dynamic balance on the whole. The keenly feel and the large charge can be an instant reverse to each other at their peak. |
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| Keywords: | keenly feel of tragedy large charge of tragedy reverse at the peak |
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