| 工整妍丽:清代恽派绘画色彩点论 |
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| 引用本文： | 冯志.工整妍丽:清代恽派绘画色彩点论[J].西华大学学报(哲学社会科学版),2004,23(6):62-63. |
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| 作者姓名： | 冯志 |
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| 作者单位： | 西华大学艺术学院,四川,成都,610039 |
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| 摘 要： | 以恽南田为代表的工整妍丽的恽派画风是清代绘画的一个高峰。这种以写生为基础,注重对象的生动情态,同时又以一定的技法来表现、不俗不燥的色彩方式深深的影响了之后的艺术创作。本文考察了恽派色彩的发展脉络、技法特点和艺术特点,以一家之言圈点其设色艺术风范,为研究传统艺术和当代艺术实践提供新的参考点。
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| 关 键 词： | 恽南田 没骨花 逸格 |
| 文章编号： | 1672-8505(2004)06-0062-02 |
Delicacy and Beauty-Discussion of Colors of YUN-group Paintings in Qing Dynasty |
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| Feng Zhi.Delicacy and Beauty-Discussion of Colors of YUN-group Paintings in Qing Dynasty[J].Journal of Xihua University:Philosophy & Social Sciences,2004,23(6):62-63. |
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| Authors: | Feng Zhi |
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| Abstract: | Delicacy and Beauty are features of YUN-group painters, with Yun Nantian as its leading character. The group attached great importance on sketching from nature, the vividness of the objects and elegant and mild colors. These painting ways greatly influenced the painters afterwards. The paper explores the developing course of YUN-group in applying colors, skill features and artistic peculiarities, casting light on the studies of traditional and present paintings. |
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| Keywords: | YN Nantian boneless flower carefree |
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