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孤寞的魂灵——论彭家煌的《Dismeryer先生》和冯至的《H先生》
引用本文:关峰. 孤寞的魂灵——论彭家煌的《Dismeryer先生》和冯至的《H先生》[J]. 甘肃联合大学学报(社会科学版), 2006, 22(1): 26-29
作者姓名:关峰
作者单位:兰州大学,文学院,甘肃,兰州,730000
摘    要:同在1926年发表的彭家煌的和冯至的不仅仅都以德国人为主人公,还都存在"想像"与"现实"两个圈子,并在此基础上形成"愉快的悲哀"的潜叙事,同时它们亦是人的文学发展的见证,指示出经由<狂人日记>和<沉沦>之后的又一次拓展.作为20世纪20年代情感基点的孤寞体验在彭家煌和冯至那里有着更为具体的内涵,爱与深深的孤独成为与冯至的之间最大的不同.

关 键 词:"  想象"  和"  现实"  的圈子  愉快的悲哀  孤寞
文章编号:1672-707X(2006)01-0026-04
修稿时间:2005-08-25

Soul of the Solitude--On Mr Dismeryen Written by Peng Jiahuang and Mr. H Written by Feng Zhi
GUAN Feng. Soul of the Solitude--On Mr Dismeryen Written by Peng Jiahuang and Mr. H Written by Feng Zhi[J]. Journal of Gansu Lianhe University:Social Sciences, 2006, 22(1): 26-29
Authors:GUAN Feng
Abstract:The two works Mr.Dismeryer written by Peng Jiahuang and Mr.H written by Feng Zhi,which both were published in 1926,not only set Germen as main characters,but constructed two spaces of imagination and facts on which the narration of the happy sorrow was formed.At the same time they were also a new step of the literature of man,which was after the fictions of Mad Man's Diary and The Corrosion.As a basic point in the 1920s,the solitude had different concrete contents in the two works.Love and the deep solitude were the biggest difference between them.
Keywords:the two spaces of imagination and facts  happy sorrow  solitude
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