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论汉魏六朝"神女--美女"系列辞赋的象征性
引用本文:郭建勋. 论汉魏六朝"神女--美女"系列辞赋的象征性[J]. 湖南大学学报(社会科学版), 2002, 16(5): 66-70
作者姓名:郭建勋
作者单位:湖南大学,文学院,湖南,长沙,410082
摘    要:属于先楚神系的"高唐神女",具有神圣、淫欲、美丽三个特性.随着社会的高度理性化,在汉魏六朝"神女--美女"系列辞赋中,神女原型被一分为二或代表邪恶的情欲,或代表神圣的"道".作品中象征情欲的女性,只是为了反衬男性战胜诱惑的理性力量;象征"道"的女性,则不但给世俗浪子提供了一个永不可及的虚拟目标,而且由这种追寻所带来的幻灭感和悲剧感,充分展示了人类精神世界的丰富与坚忍.

关 键 词:汉魏六朝  "  神女--美女"  辞赋  原型分化  象征性
文章编号:1008-1763(2002)05-0066-05
修稿时间:2002-05-15

The Symbolism of "Goddess-Beauty" Cifu in Han,Wei and Six-Dynasties Period
GUO Jian xun. The Symbolism of "Goddess-Beauty" Cifu in Han,Wei and Six-Dynasties Period[J]. Journal of Hunan University(Social Sciences), 2002, 16(5): 66-70
Authors:GUO Jian xun
Abstract:Goddess of Gaotang", which belonged to the pre Chu gods system, had three characteristics: holiness, lust and beauty. Along with the high rationalization of society, the prototype of goddess was divided into two parts: one represented the evil lust, while the other represented the "Dao". In these works, those female who symbolized the sexual passion only served as foil to show the reason strength that used for beat the temptation by male, those female who stood for the "Dao" offered not only the unobtainable suppositional goal, but also fully displayed the richness and tolerance of human being's inner world that caused by the sense of disillusion and tragedy in the pursuit.
Keywords:Han,Wei and Six Dynasties Period,"  Goddess Beauty"   Cifu,division of prototype,symbolism
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