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元代诗歌与散曲创作精神殊途悖反探源
引用本文:叶爱欣.元代诗歌与散曲创作精神殊途悖反探源[J].河南社会科学,2005,13(3):117-120.
作者姓名:叶爱欣
作者单位:中国社会科学院,文学研究所,北京,100732
摘    要:有元一代自始至终的文化冲突形成了元代文人极其复杂的心态,当传统文化面临危机时,他们做出的不同的抉择,影响着元代文学的创作精神。元代文人对传统诗学继承的两种极端趋向,接受者不同的“期望阈”造成的诗、曲创作精神的悖反,创作主体情感意识和价值取向的差异形成的诗、曲迥异的审美倾向,使得元代诗歌表现出前所未有的雍容典雅、尊经循道、情在理中、合法合度;而元代散曲则冲破了传统诗学的藩篱表现出惊世骇俗的浪子才情

关 键 词:元代  诗歌  散曲  创作精神
文章编号:1007-905X(2005)03-0117-04
修稿时间:2004年12月20

On the Source of Different Creation between Poetry and Non-dramatic Songs in Yuan Dynasty
Ye Aixin.On the Source of Different Creation between Poetry and Non-dramatic Songs in Yuan Dynasty[J].Henan Social Sciences,2005,13(3):117-120.
Authors:Ye Aixin
Abstract:The cultural conflict in Yuan Dynasty forms the complicated psychology of scholars. In the crisis of traditional culture, the different choices they made influence the ideas guiding creation of literature in Yuan Dyansty. Due to the different extremities of the traditional poetry taken by the scholars in Yuan Dynasty, the different expectations of the receptors, the different emotions, consciousnesses and value-orientations of the creative subjects, poetry and non-dramatic songs show different aesthetic tendencies:the grace and rationality in poetry and the earth-shaking spirit out of the limitation of traditional poetry in non-dramatic songs.
Keywords:Yuan Dynasty  poetry  non-dramatic song  creative spirits
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