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意象抒情——评施蛰存20世纪30年代的诗
引用本文:罗振亚.意象抒情——评施蛰存20世纪30年代的诗[J].云梦学刊,2004,25(6):74-77.
作者姓名:罗振亚
作者单位:哈尔滨师范大学,中文系,黑龙江,哈尔滨,150080
摘    要:施蛰存是三十年代现代诗派的引渡者。他的诗是个人低回情调的抒写,其赞颂与诅咒结构成的都市心曲具有浓重的“心理分析”色彩,体现了一种“片面的深刻”;他的诗常通过恰适意象实体的捕捉、形态各异的意象组合,进行感觉、思考和抒情,有含蓄朦胧的美感,只是个别诗暗示度太高,令人无法索解。

关 键 词:都市  心理分析  意象  抒情
文章编号:1006-6365(2004)06-0074-04
修稿时间:2004年5月20日

EXPRESSES THROUGH IMAGERY:On SHI Zhecun's Poems Written in the 1930's
LUO Zhen-ya.EXPRESSES THROUGH IMAGERY:On SHI Zhecun''''s Poems Written in the 1930''''s[J].Journal of Yunmeng,2004,25(6):74-77.
Authors:LUO Zhen-ya
Abstract:Shi Zhecun was a leader of the Chinese modernist poetry school in the 1930's. the poems expressed his individual and linger sentiments ,thus makes the works reflected a copsided but profound view in the metropolic-based poems which composed praising and cursing and with a flavour of psychoaralysis.Frequently,he expresses his own sense perceptions, understanding and feelings through catching images ,and then constituting them in varied form appropriately. As a result,his poems contain aesthetic feeling such as obscure and pregnant with meaning.However, as a few hinted too much, people can not seek the accurate explanations from them .
Keywords:metropolic  psychoanalysis  image  express
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