| 走出"死亡"--《金瓶梅》女性出路新探 |
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| 引用本文： | 殷晏梅.走出"死亡"--《金瓶梅》女性出路新探[J].西华师范大学学报(自然科学版),2004(2):67-70. |
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| 作者姓名： | 殷晏梅 |
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| 作者单位： | 济南军区某团 山东济南250022 |
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| 摘 要： | 中国古代的女性形象,作为一种固定化符号,在文学创作领域内被以"物"的形态书写了几千年。伴随着女性自我意识的逐渐觉醒,这种状况也潜移默化地变化着。《金瓶梅》作为这种"社会存在"的真实反映,无疑具有里程碑的意义。本文即以此为切入口,借鉴西方理论对其折射出的女性形象进行重新界定,以期勾勒出女性在寻求自我出路过程中所展现的意义。
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| 关 键 词： | 《金瓶梅》 女性形象 死亡 |
| 文章编号： | 1005-1465(2003)06-0067-04 |
| 修稿时间： | 2002年11月20 |
AWAY FROM DEATH--A New Appraisal of Female Self-Liberation of Jin Ping Mei |
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| YIN Yan-mei.AWAY FROM DEATH--A New Appraisal of Female Self-Liberation of Jin Ping Mei[J].Journal of China West Normal University:Philosophy & Social Sciences,2004(2):67-70. |
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| Authors: | YIN Yan-mei |
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| Abstract: | As one fixed symbol,the image of ancient females has been written in the form of substance in the literary field.This condition has been changed with imperceptible influence,accompanied with gradual awareness of self consciousness of females.As the real reflection of social being,Jin Ping Mei undoubtedly has greatly marked significance.As an entrance to this subject,I have made use of the Western theory to redefine the female images reflected from Jin Ping Mei,expecting to express the significance from the way of female self-liberation. |
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| Keywords: | Jin Ping Mei image of female death |
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