| 宫体诗与花间词意象陈列比较 |
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| 引用本文： | 郑晓明. 宫体诗与花间词意象陈列比较[J]. 牡丹江师范学院学报(哲学社会科学版), 2010, 0(4): 32-34 |
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| 作者姓名： | 郑晓明 |
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| 作者单位： | 安徽商贸职业技术学院,基础教学部,安徽,芜湖,241003 |
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| 摘 要： | 宫体诗使用意象如同素描,画面疏朗但韵味不足;花间词使用意象,如同工笔画,在有限的篇幅内,通过意象的铺排,创造深邃的意境。意象的疏朗或绵密与风格的清丽或绮靡没有直接关系。
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| 关 键 词： | 花间词 宫体诗 意象 意境 |
Comparison of Image Displaying among Palace Poems and HuaJian Ci-poetry |
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| ZHENG Xiao-ming. Comparison of Image Displaying among Palace Poems and HuaJian Ci-poetry[J]. Journal of Mudanjiang Teachers' College(Philosophy Social Sciences Edition), 2010, 0(4): 32-34 |
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| Authors: | ZHENG Xiao-ming |
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| Affiliation: | ZHENG Xiao-ming (Department of Fundamental Courses, Anhui Business College of Vocational Technology, Wuhu 241003 ,China) |
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| Abstract: | Palace Poems, whose frame is thinly scattered, seems like sketch, hut it lacks o{ lasting appeal. HuaJian Ci-poet- ry, seems like meticulous painting, Creates deep artistic conception caused by image displaying in limited space. The image＇ s sparse or minuteness, has no direct relations with style＇s elegance or gorgeous. |
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| Keywords: | HuaJian Ci-poetry palace poems image artistic conception |
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