| 略论黄梅戏的语言艺术 |
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| 引用本文： | 严瑾,姜欣.略论黄梅戏的语言艺术[J].湖北师范学院学报(哲学社会科学版),2014(3):54-57. |
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| 作者姓名： | 严瑾 姜欣 |
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| 作者单位： | 湖北师范学院文学院,湖北黄石435002 |
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| 摘 要： | 黄梅戏语言艺术颇具特色,比兴、反复、比喻、用典等修辞手法的积极运用增强了黄梅戏语言的典雅性、生动性,增加了黄梅戏的可接受度,有助于黄梅戏的传播。韵脚的和谐使用,使黄梅戏便于传唱,同时其押韵可充分体现黄梅方言特点,这是黄梅戏与其他剧种的重要区别之一,是黄梅戏独领风骚的重要标记之一。可以说,黄梅戏的语言艺术是雅俗共赏的优秀文化特产。
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| 关 键 词： | 黄梅戏 积极修辞方式 乡土气息 |
On the language art of Huangmei Opera |
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| YAN-Jin,JIANG-Xin.On the language art of Huangmei Opera[J].Journal of Hubei Normal University(Philosophy and Social Science),2014(3):54-57. |
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| Authors: | YAN-Jin JIANG-Xin |
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| Institution: | (Hubei Normal University, College of Liberal Arts,Huangshi 435002,China) |
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| Abstract: | The language art is very unique in Huangmei Opera , Active use of “bi-xing”, repetition, metaphor, allusion en-hanced the elegance and vitality of Huangmei Opera language , increased the acceptability of Huangmei Opera and contributed to its spread.Harmonious use of the rhyme helped to sing .The rhyme is an important difference and sign between Huangmei Opera and other Opera that can fully embody the characteristics of Huangmei dialect .So the language art of Huangmei Opera is the outstanding cultural product and is suitable for the majority of the people . |
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| Keywords: | Huangmei Opera positive rhetoric local flavor |
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