| 《离骚》中“香草美人”意象及其与楚文化的关系 |
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| 引用本文： | 方崇婧,徐柏青. 《离骚》中“香草美人”意象及其与楚文化的关系[J]. 湖北师范学院学报(哲学社会科学版), 2014, 0(2): 101-106 |
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| 作者姓名： | 方崇婧 徐柏青 |
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| 作者单位： | 湖北师范学院文学院,湖北黄石435002 |
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| 摘 要： | 《离骚》用大量文墨写了各类香草,并且还多次提到"美人"或"美女"。《离骚》中充满灵性的香草象征着诗人美好的品质及诗人对美好品质的追求,而"美人"意象,不仅比喻君臣关系,也用来象征诗人对理想的炽热追求和追求失败的痛苦。香草美人意象的运用,使《离骚》不仅内涵丰富,而且也极富浪漫色彩。"香草美人"意象是屈原的艺术创新,这种创新实际上与楚国地理环境、楚国巫文化,以及庄子浪漫主义有着密切的关系。
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| 关 键 词： | 屈原 《离骚》 香草 美人 楚地方文化 |
The image of the vanilla and the beauty in Li Sao and the Chu culture |
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| FANG Chong-jing,XU Bai-qing. The image of the vanilla and the beauty in Li Sao and the Chu culture[J]. Journal of Hubei Normal University(Philosophy and Social Science), 2014, 0(2): 101-106 |
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| Authors: | FANG Chong-jing XU Bai-qing |
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| Affiliation: | ( College of Literature, Hubei Normal University, Huangshi 435002, China) |
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| Abstract: | In Li Sao by Qu Yuan ,many kinds of vanillas were written ,the beauty was mentioned many times .Vanilla stood for the fine quality of the poet , and the beauty for the wise kings .The art images came from the geographical environment , the witchcraft of Chu culture and the romantic of Zhuangzi . |
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| Keywords: | Qu Yuan Li Sao the vanilla the beauty Chu culture |
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