| 对书法作品与情感关系的认识 |
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| 引用本文： | 霍如涛.对书法作品与情感关系的认识[J].内蒙古民族大学学报(社会科学版),2006,32(2):119-121. |
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| 作者姓名： | 霍如涛 |
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| 作者单位： | 内蒙古农业大学,人文学院,内蒙古,呼和浩特,010018 |
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| 摘 要： | 书法作品是书法家的精神产物,但书法家的情感与作品所表现的情感没有直接的关系。书法作品的情感往往是观照者基于自身体验的感情活动,与作品本身没有直接关系。书法作品所能表现的是一种性情意趣,而不是具象的情感痕迹。
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| 关 键 词： | 书法作品 情感 性情 |
| 文章编号： | 1671-0215(2006)02-0119-03 |
| 修稿时间： | 2006年1月15日 |
On the Relations between Calligraply Work and Emotion |
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| HUO Ru-tao.On the Relations between Calligraply Work and Emotion[J].Journal of Inner Mongolia University for Nationalities(Social Sciences),2006,32(2):119-121. |
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| Authors: | HUO Ru-tao |
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| Abstract: | The calligraphy work is the spirit outcome of the calligraphist,but of the emotion that the emotion and works of the calligraphist express have no direct relation.The emotion of the calligraphy work is usually the affection activity that the audience experiences personally according to the oneself,have no with work to relate to directly.What the calligraphy work can express is a kind of temperament,interest,but is not an emotion trace that has the elephant. |
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| Keywords: | Handwriting Feeling Disposition |
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