朱熹文艺批评实践对主体人格的彰显

朱熹在品评文艺的过程中秉承的一贯宗旨即是以人格定艺格。他评诗文如此,评字画亦毫无例外。他论书法虽在一定程度上也涉及工拙、技法层面的问题,但起决定作用的还是主体之人格。人格过人则不复论其工拙,人格不佳则文艺作品再精工其格亦属低下。朱熹在论及书法与主体关系时大抵涉及两个向度,即以人论书和以书观人。而书格与人格的统一性又影响着朱熹对主体修养与创作心态的论述。

The Practice of Zhu Xi's Literary Criticism Manifests the Authors'Personality

In the process of literary criticism , personality determines artistic character , which constitutes Zhu Xi＆#39;s consistent principle .This principle could be applicable not only to his poetry assessment , but also to his calli-graphy and painting criticism .His calligraphy criticism to some extent relates to the workstation and the skill levels . But the personality was the deciding factor .Too good personality or too bad personality would not be good for the as-sessment of the workstation and skills .Usually Zhu Xi analyzed the relation between calligraphy and subjects from two aspects, namely, commenting on calligraphy according to the personality and observing the character of the writer according to his calligraphy .The unity of the calligraphy and personality influenced Zhu Xi＆#39;s discussion of the main cultivation and creation mentality .