| 中国动画电影创作的本土化美学风格研究 |
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| 引用本文： | 侯小锋,解梦伟.中国动画电影创作的本土化美学风格研究[J].昆明理工大学学报(社会科学),2011(6):81-85. |
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| 作者姓名： | 侯小锋 解梦伟 |
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| 作者单位： | [1]昆明理工大学艺术与传媒学院,云南昆明650500 [2]云南民族大学艺术学院,云南昆明650031 |
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| 摘 要： | 动画电影作为一种独特的艺术形式，已经发展成为一种可繁衍的民族文化。中国动画电影经过近一百年的发展，形成了其独特的本土化美学风格，它反映了中国本土、本民族的价值观念，也是社会人文内涵以及审美趋向的呈现和表达。本文以中国动画电影创作中本土化的美学风格为切入点，将中国动画电影创作的发展置入全球化的语境当中，分析其美学风格的表达与呈现方式的特点及成因，并提出动画电影在全球化和商业化的冲击下所呈现的本土化美学风格之变革思路和意义。
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| 关 键 词： | 动画电影 本土化 美学风格 |
The Localization of Chinese Animation Film - Making Style of Aesthetic |
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| Institution: | HOU Xiao - feng ,XIE Meng - wei (1. College of Arts and Media, Kunming University of Science and Technology, Kunming, Yunnan, 650500, China; 2. Arts College of Yunnan Nationalities University, Kunming, Yunnan, 650031, China) |
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| Abstract: | Animated film image as a unique art form, has developed into a national culture can multiply. Chinese animated film after nearly a hundred years of development, the formation of its unique localization aesthetic style, it reflects the Chinese mainland, the nation＇s values, but also social and cultural meaning and expression of aesthetic trends show. This animated film-making in the Chinese localization of aesthetic style as an entry point to the development of Chinese animation film - making into the global context in which to analyze the aesthetic style of ex- pression and presentation of the characteristics and causes, and made animated film the impact of globalization and commercialization under the present changes in the localization of aesthetic ideas and sense of style. |
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| Keywords: | animated movie localization aesthetic style |
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