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《浮士德》变奏曲
引用本文:江龙.《浮士德》变奏曲[J].长沙理工大学学报(社会科学版),2002,17(2):92-96.
作者姓名:江龙
作者单位:长沙电力学院中文系 湖南长沙410077
摘    要:萨特悲剧《脏手》(1 947)中虚构的主人公与其回忆录《保尔·尼赞》(1 960 )中的现实人物保尔·尼赞有着相同的出身、相似的经历 ,并且都执著地追求人道主义理想。《脏手》与《保尔·尼赞》都是萨特为其朋友保尔·尼赞鸣冤而写的。但在 1 964年 ,萨特与卡鲁索谈话时 ,已超越了个人友情和纯人道主义理想 ,指出了雨果 (亦即保尔·尼赞 )的思想局限并从共产党“同路人”的高度予以了批评。这种转变是萨特思想不断探索、不断进步的结果

关 键 词:《脏手》  《保尔·尼赞》  卡鲁索  人道主义  同路人

Faustus' Variations
JIANG Long.Faustus'''' Variations[J].Journal of Changsha University of Science & Technology,2002,17(2):92-96.
Authors:JIANG Long
Abstract:The fictitious hero in Sartre's tragedy DIRTY HANDS(1947) and the real person Paul Nizan in Sartre's memoirs Paul Nizan(1960) have the same family background and similar experience, moreover they both insist on pursuing humanitarianist ideals. Sartre wrote DIRTY HANDS and Paul Nizan in order to call for redress for his friend Paul Nizan from humanitarianist standpoint, But in 1964, when talking with Kalusu , Sartre already transcended individual friendship and pure humanitarianism ideal, pointing out and criticizing the shortcoming of Hugo's (who is just Paul Nizan ) ideals from the high standpoint of a fellower traveller of the Commiunist Party. Sartre's transformation is the result of his constant pursuing .
Keywords:DIRTY  HANDS  Paul Nizan  Kalusu  humanitarianism  fellow  traveller  
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