Weber's concept of rationalization and the electronic revolution in western classical music

In examining the electronic revolution in Western Classical music, this article considers many of the important issues which Weber addresses in his work on the sociology of music—particularly the definitional problems related to Weber's concept of rationalization and the disenchantment of the world. The article examines Weber's concepts of rational action and rationalization in relation to music, then through analysis of developments in electronic music, raises questions regarding Weber's conclusions regarding the effect of rationalization in Western culture. Thanks to Leo D. Papa for technical assistance. Thanks also to Larry E. Simons, French Horn and Daniel McCollum, Cello, for providing musical examples. Steven Smith provided some sound criticism.