| 艺术情境创造:隐与显 动与静──艺术辩证法之一 |
| |
| 引用本文： | 姜耕玉. 艺术情境创造:隐与显 动与静──艺术辩证法之一[J]. 东南大学学报(哲学社会科学版), 2002, 4(2): 68-73 |
| |
| 作者姓名： | 姜耕玉 |
| |
| 作者单位： | 东南大学,文学院,江苏,南京,210096 |
| |
| 摘 要： | 艺术品中引人入胜的情境，往往是艺术家创造的心灵旨趣 的反映。局部情境，可分为物（景）境与人物关系或动作冲突之境。前者如中国画、舞台美 术，后者如戏剧、电影、电视中的艺术表演、人物活动等。
|
| 关 键 词： | 显中见深 静中显动 |
| 文章编号： | 1671-511X(2002)02-0068-06 |
| 修稿时间： | 2001-12-20 |
The creation of artistic situation:implication and clarification;movement and stillness——the artistic dialectic |
| |
| JIANG Geng-yu. The creation of artistic situation:implication and clarification;movement and stillness——the artistic dialectic[J]. Journal of Southeast University(Philosophy and Social Science ), 2002, 4(2): 68-73 |
| |
| Authors: | JIANG Geng-yu |
| |
| Abstract: | The fascinating artistic situations in works of art are the reflection of the soul and moral spirit created by the artist.The local situation includes the situation of landscape and the situation of character re lation or of movement conflict.The former is related to the traditional Chinese painting and stage design while the latter is related to drama, movie and telev ision performance. |
| |
| Keywords: | clarification through implication movement through stillness |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
