| 清代皇帝服饰制度及其艺术地位 |
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| 引用本文： | 王文权. 清代皇帝服饰制度及其艺术地位[J]. 吉首大学学报(社会科学版), 2009, 30(5): 159-162 |
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| 作者姓名： | 王文权 |
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| 作者单位： | 延安大学,鲁迅艺术学院,陕西,延安,716000 |
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| 摘 要： | 传统观念中，服饰不仅是华夏礼仪的重要载体，更是礼制的重要表现。清代的皇帝服饰在中国服饰史中最繁缛复杂。以之为研究对象,在考古资料和文献资料的基础上,阐述清代皇帝服饰形式及其制度，不仅反映了当时经济的发展程度，更代表了一种新的服饰艺术。
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| 关 键 词： | 服饰 朝服 纹饰 十二章 冠服制度 |
On the Emperor Costume in the Qing Dynasty and Its Artistic Status |
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| WANG Wen-quan. On the Emperor Costume in the Qing Dynasty and Its Artistic Status[J]. Journal of Jishou University(Social Science), 2009, 30(5): 159-162 |
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| Authors: | WANG Wen-quan |
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| Affiliation: | (Lu Xun Arts College,Yan’an University,Xi’an,Shanxi 716000,China) |
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| Abstract: | Costume is not only a carrier of ritual action in Chinese realm,but also an important presentation of ritual system according to traditional concept.Emperor costume in the Qing Dynasty (1644—1911) is the most complicated in Chinese costume history.This paper,based on historical records,illustrates the forms of emperor costume and the formation of its system in the Qing Dynasty,holding that it not only reflects the economic development of that time,but also represents a new kind of art. |
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| Keywords: | costume court dress grain decorations twelve signs the crown clothing system |
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