| 南阳汉画图像的构图形式 |
| |
| 引用本文： | 徐永斌.南阳汉画图像的构图形式[J].南都学坛,2003,23(4):15-16. |
| |
| 作者姓名： | 徐永斌 |
| |
| 作者单位： | 南阳师范学院,美术系,河南,南阳,473061 |
| |
| 摘 要： | 南阳汉画图像的构图形式主要有骨架、位置、边框三种,汉画的构图在中国绘画史上占有重要的地位,为中国绘画构图形式的发展起到奠基搭架作用。
|
| 关 键 词： | 汉画 图像 构图 形式 |
| 文章编号： | 1002-6320(2003)04-0015-02 |
| 修稿时间： | 2003年3月6日 |
On the Composition and Image Organization of the Portraits in the Han dynasty in Nanyang |
| |
| XU Yong-bin.On the Composition and Image Organization of the Portraits in the Han dynasty in Nanyang[J].Academic forum of nandu,2003,23(4):15-16. |
| |
| Authors: | XU Yong-bin |
| |
| Abstract: | As the products of the culture in the state of Chu during the Spring and Autumn Period , the portraits in the Han Dynasty in Nanyang is one of the summits in the Chinese Art History . The thesis discusses the composition of the portraits in the Han Dynasty from its skeleton, its location, the construction of its frame as well, it also gives the important role of its composition in Chinese painting history and lays a solid foundation for the development of the portraits composition in China. |
| |
| Keywords: | Portraits in the Han Dynasty composition of the portraits image organization |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
