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同情与理解:中西美学主体间性的互补
引用本文:杨春时.同情与理解:中西美学主体间性的互补[J].吉林大学社会科学学报,2009,49(1):38-44.
作者姓名:杨春时
作者单位:厦门大学中文系,厦门,361005
摘    要:现代西方美学走向了主体间性,它从解释学角度,以审美理解来沟通人与世界,构建主体间性;而中国古典美学,是从价值论角度,以审美同情来沟通人与世界,构建主体间性。审美理解与审美同情是同一的,共同构成审美主体间性。因此,中西主体间性美学可以相容互补。

关 键 词:中国美学  西方美学  主体间性  审美理解  审美同情

Compassion and Understanding:Complementary Inter-Subjectivity of Chinese and Western Aesthetics
YANG Chun-shi.Compassion and Understanding:Complementary Inter-Subjectivity of Chinese and Western Aesthetics[J].Jilin University Journal Social Sciences Edition,2009,49(1):38-44.
Authors:YANG Chun-shi
Abstract:Modern Western aesthetics has moved toward inter-subjectivity.It approaches from the perspective of hermeneutics and uses aesthetic understanding to communicate between man and the world as well as construct inter-subjectivity.On the other hand,Chinese classical aesthetics is based on the theory of value.It utilizes aesthetic compassion to communicate between man and the world and build inter-subjectivity.Aesthetic understanding and aesthetic compassion are in fact the same,together constituting aesthetic i...
Keywords:Chinese aesthetics  Western aesthetics  inter-subjectivity  aesthetic understanding  aesthetic compassion  
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