论杜甫宴乐诗的悲美风格及其成因

杜甫诗中涉及欢宴游赏之乐的宴乐诗呈现悲美的风格特征,即使是安史之乱之前本该极尽欢娱之作亦是如此。究其原因,汉代以来宴饮音乐的＂尚悲＂审美传统使审美客体——宴乐本身即具有悲的特质。忧患意识使杜甫察觉社会繁荣背后的危机：百姓不堪重负;科举制度名存实亡;奸臣把持朝政,从而使审美主体——杜甫具有悲的心理结构。＂悲＂是杜甫与宴乐发生共鸣的契合点,由此而形成杜甫宴乐诗的悲美风格。

Viewing Sorrow as Beauty and Its Cause in Du Fu's Feast Poems

Du Fu＇s feast poems that have feast music express the style of viewing sorrow as beauty.Even those written in the peaceful and prosperous period before Anshi Zhi Luan also express such a style.Feast music is of sadness because the aesthetic idea about music regards tragedy as beauty since the Han Dynasty.Du Fu can see clearly social crisis because of his anxious consciousness about the nation＇s future,such as miserable people,corrupt officials,etc.Du Fu identifies with feast music and creates the special style of feast poems that view sorrow as beauty.