| 李可染山水画从写生到创作的发展 |
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| 引用本文： | 李强. 李可染山水画从写生到创作的发展[J]. 宝鸡文理学院学报(社会科学版), 2004, 24(5): 102-104 |
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| 作者姓名： | 李强 |
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| 作者单位： | 宝鸡文理学院,艺术系,陕西,宝鸡,721007 |
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| 摘 要： | 李可染是通过山水写生来改造中国画的实践者,是古典山水画向现代山水画过渡的大师.他创立了一套现代山水写生方法并形成独特的山水画风格,在六十年代渐渐完善了自己的山水画艺术.李可染山水画,从写生到创作的发展过程中的成果和经验,是学习和研究中国画所必需的,也是二十世纪中国美术史的重要课题.
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| 关 键 词： | 改造 写生 风格 创作 |
| 文章编号： | 1008-4193(2004)05-0102-03 |
| 修稿时间： | 2004-03-20 |
The Development of Li Ke-ran's Landscape from Sketching to Creation |
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| LI Qiang. The Development of Li Ke-ran's Landscape from Sketching to Creation[J]. Journal of Baoji College of Arts and Science(Social Science Edition), 2004, 24(5): 102-104 |
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| Authors: | LI Qiang |
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| Abstract: | Li Ke-ran is a practician to transform Chinese paintings through sketching on nature, is a great master from classic landscape paintings to modern ones. He created a set of ways of modern sketching from nature and formed a particular style in landscape painting. In 1960s, he gradually perfected his art in landscape painting. The achievements and experiences in the process from sketching to creation in his landscape painting, is the necessity in learning and studying Chinese paintings, and also an important topic of Chinese fine art history in 20th century. |
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| Keywords: | transformation sketching from nature and life style creation |
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