| 绝望的天才与天才的绝望——解读法斯宾德 |
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| 引用本文： | 刘宏球.绝望的天才与天才的绝望——解读法斯宾德[J].浙江师范大学学报(社会科学版),2004,29(5):60-64. |
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| 作者姓名： | 刘宏球 |
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| 作者单位： | 浙江师范大学,人文学院,浙江,金华,321004 |
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| 摘 要： | 法斯宾德是位电影天才,他的人生和影片因自己的生活以及所面对的德国历史与现实,而始终带有深入骨髓的绝望感.他通过影片表达对"第三帝国"的历史反思、对德国现实的思考.他的影片崇尚德国式好莱坞电影而具有好看的外观,然而因艺术地运用"间离"手段而使影片具有深刻的意蕴;同时,运用色彩和空间造型的象征来获得深层意蕴是法斯宾德影片的又一特征.
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| 关 键 词： | 法斯宾德 女性四部曲 绝望 间离 色彩 空间造型 象征 |
| 文章编号： | 1001-5035(2004)05-0060-05 |
| 修稿时间： | 2003年11月10 |
A Genius in Despair and Despair in a Genius:Interpreting R.W.Fassbinder |
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| LIU Hong-qiu.A Genius in Despair and Despair in a Genius:Interpreting R.W.Fassbinder[J].Journal of Zhejiang Normal University:Social Sciences,2004,29(5):60-64. |
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| Authors: | LIU Hong-qiu |
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| Abstract: | A genius in movie making, Rainer Werner Fassbinder impresses his audience always with his desperate life and movies owing to his personal experience and the history and reality of Germany he is faced with. Through his movies he expresses his reflections on the history of the "Third Reich" and the reality of the country. Advocating the Hollywood style with German characteristics, he endows his movies with gorgeous appearances but profound implications thanks to his artistically successful employment of "estrangement" therein. In addition, it is another feature of his movies to gain deep implications through the symbolism of colors and spatial image-building. |
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| Keywords: | R W Fassbinder Female Tetralogy Despair Estrangement Colors Spatial Image-building Symbolism |
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