| 数字艺术:主体自由的契机与陷阱 |
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| 引用本文： | 程金海.数字艺术:主体自由的契机与陷阱[J].阴山学刊,2006,19(5):5-10. |
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| 作者姓名： | 程金海 |
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| 作者单位： | 上海理工大学出版印刷学院 上海200093 |
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| 基金项目： | 上海市哲学社会科学规划课题项目“数字美学研究”阶段性成果(项目编号:2005BZH007) |
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| 摘 要： | 媒介在主体构型中发挥着重要的作用,数字媒介建构了自由交往的主体。数字艺术以数字媒介为载体,其审美主体的存在状态与基于印刷媒介和电子媒介的艺术形式迥然不同。但数字艺术审美主体的自由是以数字符号的非物质性为前提的,数字符号的非物质性既构成数字艺术审美主体自由的契机也是其陷阱。
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| 关 键 词： | 数字艺术 主体 自由 |
| 文章编号： | 1004-1869(2006)05-0005-06 |
| 修稿时间： | 2006年6月14日 |
Digital Art: Turning Point and Trap of Subjective Freedom |
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| CHENG Jin-hai.Digital Art: Turning Point and Trap of Subjective Freedom[J].Yin Shan Academic Journal,2006,19(5):5-10. |
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| Authors: | CHENG Jin-hai |
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| Abstract: | Intermedia plays an important part in subjective constructing,the digital art constructs the agent of free association.Taking digital media as the carrier,the existing status of the aesthetic agent is definitely different from the artistic forms which are based on printing media and electronic media.While the freedom of the aesthetic agent of digital art takes the immateriality of digit signs as its premise.The immateriality of the digit signs is the turning point as well as the trap of the freedom of the aesthetic agent of digital art. |
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| Keywords: | Digital Art Agent Freedom |
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