| 纵观钢琴弹奏艺术及教学理论的发展 |
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| 引用本文： | 张旭娜.纵观钢琴弹奏艺术及教学理论的发展[J].河南教育学院学报(哲学社会科学版),2001,20(2):126-127. |
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| 作者姓名： | 张旭娜 |
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| 作者单位： | 洛阳师范学院,教育学院,河南,洛阳,471002 |
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| 摘 要： | 钢琴问世以来 ,弹奏艺术和教学理论经过漫长的发展 ,同时吸收医学、心理学等多种学科的研究成果 ,逐渐形成音乐与技术完美融合的风格 ,从肌肉协调发展为身、心、智的协调。
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| 关 键 词： | 钢琴弹奏 技巧 风格 教学理论 协调 |
| 文章编号： | 1006-2920(2001)02-0126-02 |
| 修稿时间： | 2001年1月8日 |
General Observation of the Development of the Art of the Piano Performance and the Teaching Theory |
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| ZHANG,Xu,na.General Observation of the Development of the Art of the Piano Performance and the Teaching Theory[J].Journal of Henan Education Institute(Philosophy and Social Science Edition),2001,20(2):126-127. |
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| Authors: | ZHANG Xu na |
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| Abstract: | Ever since pianos have come out,the art of playing piano and the teaching theory have been developed after a long period of time.While absorbing medical science,psychology and other branches of sciences,they have established gradually the harmonious style of perfect music technique,developing from the coordination of muscles into the coordination of physical and mental intelligence. |
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| Keywords: | piano performance technique style teaching theory coordination |
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