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论回族文学中阿訇形象的精神流变
引用本文:王继霞.论回族文学中阿訇形象的精神流变[J].西北第二民族学院学报,2010(6):62-67.
作者姓名:王继霞
作者单位:陕西师范大学文学院,陕西,西安,710000 
摘    要:回族文学中的阿訇形象,随着时代的不同被赋予了不同的意义和内涵:现代文学中的阿訇是承担着振兴族教使命的启蒙者,是伊斯兰传统"创制"精神的载体和象征;新时期以来的阿訇文学形象,从国家民族意识代言人逐步发展为个体民族精神的彰显者,他们凝聚了回族爱国爱教的政治诉求、崇尚清洁的精神旨归;进入新世纪,回族文学中的阿訇形象表现出在圣俗之间或徘徊或坚守的姿态,这标志着在当下多元文化冲击中回回民族不断反观自身、寻求发展。

关 键 词:阿訇形象  回族文学  精神流变

On the Spiritual Changes of Imam Ianages in literature of the Hui People
WANG Ji-xia.On the Spiritual Changes of Imam Ianages in literature of the Hui People[J].Journal of The Second Northwest Institute For Ethnic Minorities(Philosophy and Social Science),2010(6):62-67.
Authors:WANG Ji-xia
Institution:WANG Ji-xia (School of Chinese Literature,Shaanxi Normal University,Xi'an 710000,China)
Abstract:As time goes by,the images of Imams in literature of the Hui people are offered different meanings and connotations.In modern literature,they are torchbearers with mission of rejuvenating the nation and carrier and symbol of Islamic tradition,"created".In the new era,they have gradually developed as representatives of individual national spirit from the speaker of national state consciousness.They combined their political appeal of love for the country and Islam and pursued cleanness as their spiritual wealth.Upon the entry of the new century,the images of Imams of the Hui people show the poses of holy world and worldly world,or hesitation and adherence,which indicates that Chinese Muslims are constantly reforming themselves and seeing further development under the influence of multi-culture.
Keywords:images of Imams  literature of the Hui people  spiritual changes
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