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从《十七岁的单车》看新生代导演
引用本文:陈磊. 从《十七岁的单车》看新生代导演[J]. 上海大学学报(社会科学版), 2003, 10(2): 50-53
作者姓名:陈磊
作者单位:上海大学影视艺术技术学院,上海,200072
摘    要:“新生代”导演是继“第五代”之后最为人所关注的一批导演,他们继续了在国际电影节上获奖的神话,但是在国内却始终无法摆脱边缘位置而进入主流话语系统。《十七岁的单车》作为“新生代”主将之一的王小帅的近期力作,其本身就是“新生代”们自身成长过程和生存状态的写照,而且从中可以发现“新生代”开始尝试由边缘向中心的突围。

关 键 词:新生代导演  十七岁的单车  王小帅  边缘  突围
文章编号:1007-6522(2003)02-0050-04
修稿时间:2002-12-05

View New Generation Directors through Beijing Bicycle
CHEN Lei. View New Generation Directors through Beijing Bicycle[J]. Journal of Shanghai University(Social Science Edition), 2003, 10(2): 50-53
Authors:CHEN Lei
Abstract:New generation directors, after the fifth generation directors, have been given most attention. They continue the myth of winning in international film festivals, but they can t go out from edge situation into mainstream discourse system. As a new film from Wang Xiaoshuai, one of the new generation directors, Beijing Bicycle reflects their growing process and living situation. We can also find that new generation directors are trying breaking through from edge to center.
Keywords:New generation directors  Beijing Bicycle  Wang Xiaoshuai  edge  break through
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