| 罗贯中笔下的三国人物之死 |
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| 引用本文： | 陈辽. 罗贯中笔下的三国人物之死[J]. 盐城师范学院学报, 2003, 23(1): 25-28 |
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| 作者姓名： | 陈辽 |
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| 作者单位： | 江苏省社会科学院文学研究所 江苏南京210013 |
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| 摘 要： | 罗贯中在《三国志通俗演义》中写魏、吴、蜀三方人物之死 ,并不严格按照历史事实 ,而是视其对蜀方的利害 ,分别采取不同态度 ,表现了其鲜明的帝蜀寇魏的思想倾向性 ,也充分体现了他的艺术独创性。罗贯中在人物之死上的艺术独创性与其作品的思想倾向性是密切结合在一起的 ,产生了经久不衰的艺术魅力。
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| 关 键 词： | 罗贯中 《三国志通俗演义》 三国人物 思想倾向性 艺术独创性 |
| 文章编号： | 1003-6873(2003)01-0025-04 |
| 修稿时间： | 2002-10-15 |
Death of the Characters from the Three Kingdoms in Luo Guanzhong'' s Writing |
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| CHENG Liao. Death of the Characters from the Three Kingdoms in Luo Guanzhong'' s Writing[J]. Journal of Yancheng Teachers College(Humanities & Social Sciences Edition), 2003, 23(1): 25-28 |
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| Authors: | CHENG Liao |
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| Abstract: | In The Popular Romance of the Three Kingdoms, Luo Guanzhong does not describe the death of the characters from Wei, Shu and Wu in strict conformity with historical reality but assumes different attitudes in light of their relationships with Shu. This clearly shows his belief that Shu is the empire and Wei the state of bandits, and also reflects his artistic originality. His treatment of the deaths and the tendentiousness revealed therein closely connect with each other and are responsible for the book's lasting artistic appeal. |
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| Keywords: | Luo Guanzhong The Popular Romance of the Three Kingdoms characters from the three kingdoms tendentiousness artistic originality |
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