| 论“抒情”的介入与“五四”短篇小说的形式革新 |
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| 引用本文： | 李丽.论“抒情”的介入与“五四”短篇小说的形式革新[J].南京大学学报(哲学．人文科学．社会科学 ),2011,48(2). |
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| 作者姓名： | 李丽 |
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| 作者单位： | 北京大学,对外汉语教育学院,北京,100871 |
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| 摘 要： | 五四时期的作家,由于面对酷烈的社会现实,大多选择以倾诉作为短篇小说最基本的表达方式。从讲述变成倾诉,短篇小说侵入了诗的范围,这是五四短篇小说的一大创举。不过,因作家个人体验及抒情的心理动因各有差异,这些小说在表现方式上千姿百态、个性斐然。最能体现出五四时代特征的抒情短篇小说形式,当属以郁达夫为代表的主观宣泄式、庐隐为代表的日记书信式、鲁迅的手记式、废名的田园写意式等。抒情的介入,使传统短篇小说的叙事重心发生了彻底的颠覆。
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| 关 键 词： | 抒情 “五四”短篇小说 形式 革新 |
Lyrism and May-4th Short Stories |
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| LI Li.Lyrism and May-4th Short Stories[J].Journal of Nanjing University(Philosophy, Humanities and Social Sciences),2011,48(2). |
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| Authors: | LI Li |
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| Abstract: | Confronted with the cruel social reality,the writers in the May-4th movement chose emotional narration as a momposition were largely put to use in short-story writing.Based on different personal experiences and motivations,these short stories were imbued with various expressions and characteristics,and the best representation was lyrical short story of different types:that of Yu Da-fu's subjective catharsis,of Lu Yin's diaries and personal correspondences,of Lu Xun's short notes,and Fei Ming's idyllic impre... |
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