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论中国油画创作题材和表现形式的民族化
引用本文:程晓春.论中国油画创作题材和表现形式的民族化[J].重庆邮电大学学报(社会科学版),2015,27(4):147-150.
作者姓名:程晓春
作者单位:重庆工商大学 现代国际设计艺术学院,重庆,400067
摘    要:油画艺术自明代从西方传入中国后,在一百多年的发展历程中不断与中国本土文化相融合,逐步形成了鲜明的民族风格,主要表现为:在创作上不仅采用富有中国特色的自然和人文题材,还特别钟情于少数民族题材;在艺术表现形式方面借鉴了中国传统艺术的特点,具体表现在构图、线条和意境等方面。

关 键 词:油画创作题材  民族化  表现形式
收稿时间:9/4/2014 12:00:00 AM

Discussion on Chinese Oil Painting Creation Theme and Expressive Forms of Chinese Style
CHENG Xiaochun.Discussion on Chinese Oil Painting Creation Theme and Expressive Forms of Chinese Style[J].Journal of Chongqing University of Posts and Telecommunications:Social Science Edition,2015,27(4):147-150.
Authors:CHENG Xiaochun
Institution:Modern International Art & Design Academy, Chongqing Technology and Business University, Chongqing 400067, China
Abstract:Communications and clashes between cultures are the driving force on art in every period. Since oil painting was introduced into China over 100 years ago, it has been merged into Chinese culture and been continuously absorbed and improved. This paper is aimed to impose some brief analysis on the history of nationalization of oil painting and some questions emerging from the development of Chinese oil painting. Some discussions are held over some aspects like what kind of oil painting could better embody Chinese spirit and the expressive forms of Chinese style oil painting.
Keywords:oil painting creation theme  nationalization  expressive forms
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