论新世纪小说的狂欢美学

进入新世纪以来，“70”后作家的创作普遍呈现狂欢化倾向，身体写作、下半身写作的“形而下状态”的“肉体的体验”为狂欢化叙事作出了具有转喻意义的注脚。另一方面，余华、莫言、毕飞宇、贾平凹、阎连科、格非等已经有相当影响的作家，也选择狂欢化叙事作为其创作的转向和突破。狂欢化叙事已经溢出了既有的“知识”视野，主流文学的知识谱系无法对它作出有效的指认和判断，在近年来的小说创作中，狂欢化的人物、艺术思维的狂欢化和狂欢化的语言特征集中反映了这一变化。

On the Orgiastic Narration of Neo-Century Novels

An state of excitement was stimulated by BROTHER of Yuhua in 2005, which indicated that the orgiastic narration in BROTHER has been becoming an unavoidable trend in the narrative aesthetics of neo-century novels. An orgiastic tendency was created by the works of the 1970s＇ writers and the body experience of erotic writing explained the metonymy of orgiastic narration .On the other hand, the orgiastic narration was chosen to be a turning point and breakthrough by some famous writers, such as Yuhua, Moyan, Bifeiyu, Jiapingwa, Yanlianke and Gefei This means that the orgiastic narration has breached the existed knowledge field, which could not been effectively explained and judged by the pedigree of main trend literature. This change has been focalized by the orgiastic characters, artistic thought and linguistic style of the novels in those years.