| 宏旨与心路：《离骚》的结构艺术 |
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| 引用本文： | 肖练武. 宏旨与心路：《离骚》的结构艺术[J]. 湖北师范学院学报(哲学社会科学版), 2004, 24(4): 47-48 |
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| 作者姓名： | 肖练武 |
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| 作者单位： | 襄樊职业技术学院,教务处,湖北,襄樊,441050 |
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| 摘 要： | 《离骚》前半部分是现实的、自思自叹的、独白的:诗人反复倾诉着愤慨和哀怨;后半部分是想象的、有商有量的、诗剧式的:三次"遨游"是诗人心路历程的具体体现。
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| 关 键 词： | 《离骚》 忧国忧民 上下求索 结构艺术 |
| 文章编号： | 1009-4733(2004)04-0047-02 |
| 修稿时间： | 2004-04-20 |
Lisao''''s structural arts:magnificent tenor and heart''''s way |
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| XIAO Lian-wu. Lisao''''s structural arts:magnificent tenor and heart''''s way[J]. Journal of Hubei Normal University(Philosophy and Social Science), 2004, 24(4): 47-48 |
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| Authors: | XIAO Lian-wu |
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| Abstract: | The former half part of Lisao is realistic,thinking and a mondogue .The poet repeatedly confides the indignation and desolation.The latter half part of it is imaginative,persuasive and a poetic play.Three times "strolling" is a concrete embodiment to the course of the poet's heart way. |
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| Keywords: | worry about the nation pursuit from above to below structural arts |
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