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“气”范畴在唐代文论中的展开
引用本文:胡建次.“气”范畴在唐代文论中的展开[J].佛山科学技术学院学报(社会科学版),2008,26(3):25-29.
作者姓名:胡建次
作者单位:山东大学文艺美学研究中心,山东济南,250100;南昌大学中文系,江西南昌,330031
基金项目:国家社会科学基金 , 山东省博士后创新项目
摘    要:“气”范畴在唐代文论中的展开.体现在两大维面:一是诗学理论批评对“气”的论说;二是散文理论批评对“气”的论说,其内容.主要体现在三方面:一是对“气”作为诗文之本的标树.二是对诗文之气审美特征与要求的探讨,三是从创作角度对“气”的考察。上述论说维面与内容.初步展开了我国古典文“气”范畴.为其在后世文论中的充实、深化与完善奠定了基础。

关 键 词:唐代文论  “气”范畴  展开  本质标树  特征探讨  创作考察

The "Qi" (气) Category in the Literary Review of Tang Dynasty
HU Jian-ci.The "Qi" (气) Category in the Literary Review of Tang Dynasty[J].Journal of Foshan University(Social Science),2008,26(3):25-29.
Authors:HU Jian-ci
Institution:HU Jian-ci1,2(1.Center of Literary Aesthetic Study,Sh,ong University,Jinan 250100,China,2.Department of Chinese,Nanchang University,Nanchang 330031,China)
Abstract:The Qi category in Tang Dynasty was unfolded from two dimensions: the poetic and essayistic theories.Its content was displayed in three aspects: the standard of Qi as the essence of poetic prose;the aesthetic character of Qi in poetic prose;the study of Qi in writing.These dimensions and aspects generally show the Qi category in classical writing,which laid a solid foundation for its enriching,deepening and perfecting in later periods.
Keywords:literary review in Tang Dynasty  the Qi category  unfold  essence  character  writing  
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