| 论尚清审美心理的思想之源--道家 |
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| 引用本文： | 何庄.论尚清审美心理的思想之源--道家[J].宝鸡文理学院学报(社会科学版),2004,24(6):6-10. |
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| 作者姓名： | 何庄 |
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| 作者单位： | 中国人民大学,中文系,北京,100872 |
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| 摘 要： | 对清淡之美的推崇是中国古代一种普遍的审美心理,尤其是在中唐以后的士大夫阶层中.笔者认为,道家是中国历史上这种普遍的审美心理主要的哲学思想根源."道"作为道家最高的哲学和审美范畴,"道"的美,是最高的美,而从某种程度上说,"道"的美,就是自然朴素的美、清淡的美、清省无雕饰的美.
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| 关 键 词： | 道 清 淡 自然 |
| 文章编号： | 1008-4193(2004)06-0006-05 |
| 修稿时间： | 2004年7月6日 |
On the Source of Shang Qing's Aesthetic Mentality:Taoism |
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| HE Zhuang.On the Source of Shang Qing's Aesthetic Mentality:Taoism[J].Journal of Baoji College of Arts and Science(Social Science Edition),2004,24(6):6-10. |
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| Authors: | HE Zhuang |
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| Abstract: | Canonizing the beauty of insipidity is a widespread mentality in ancient China, esp. among the scholars and officials after Middle Tang Dynasty. In my opinion, Taoism is the philosophical source of the widespread aesthetic mentality in the Chinese history. "Tao" belongs to the highest philosophical and aesthetic category. "Tao"is beauty, the highest level of beauty. In some sense, the beauty of "Tao" is the natural, simple beauty, insipid beauty, and fresh, undecorated beauty. |
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| Keywords: | Tao freshness insipidity naturalness |
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