| 隐喻人生的戏——论电影《霸王别姬》的主题内涵 |
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| 引用本文： | 黄鹂.隐喻人生的戏——论电影《霸王别姬》的主题内涵[J].河南教育学院学报(哲学社会科学版),2004,23(2):45-48. |
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| 作者姓名： | 黄鹂 |
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| 作者单位： | 中国戏曲学院,影视戏剧文学系,北京,100073 |
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| 摘 要： | 电影<霸王别姬>通过京剧艺人的经历,展现了中国现当代历史,并试图探讨历史的变更对京剧艺术地位的影响.电影再现了历史变更时代京剧艺人的生活,人生如戏,戏如人生.陈凯歌选择中国文化积淀最深厚的京剧艺术,表现对传统文化、人的生存状态及人性的思考与领悟,这种对历史的挖掘,是大胆独到的.
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| 关 键 词： | 《霸王别姬》 戏 人生 人性 |
| 文章编号： | 1006-2920(2004)02-0045-04 |
| 修稿时间： | 2004年1月10日 |
The Drama is a Metaphor for Life——The Meaning of the Subject of the Film Farewell To My Concubine |
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| HUANG Li.The Drama is a Metaphor for Life——The Meaning of the Subject of the Film Farewell To My Concubine[J].Journal of Henan Education Institute(Philosophy and Social Science Edition),2004,23(2):45-48. |
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| Authors: | HUANG Li |
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| Abstract: | Through the story of two artists of Beijing opera,the history of the contemporary era of China has been exhibited from the film Farewell To My Concubine .This film also discussed the effect of Beijing opera from changing regime.This film has represented lives of opera artists in these years. There is some thing very similar between life and drama. To interpret this period of history,CHEN Kai-ge,the director of the film,selected a finer form-the Beijing opera which has fruitful meaning of Chinese local culture. Traditional culture has been represented,so as the background of people's lives. |
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| Keywords: | the film Farewell To My Concubine opera lives human nature and humanity |
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