| 晚明徐渭的书画转型及其心学背景 |
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| 引用本文： | 范美俊.晚明徐渭的书画转型及其心学背景[J].四川理工学院学报(社会科学版),2007,22(1):120-124. |
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| 作者姓名： | 范美俊 |
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| 作者单位： | 四川理工学院,美术系,四川,自贡,643000 |
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| 基金项目： | 四川理工学院校科研和教改项目 |
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| 摘 要： | 中晚明的徐渭是中国书画艺术史上一位开天辟地的创新性人物,他的书画是在怎样的社会大环境与小环境中形成的,历代的研究者往往多从结果中进行研究,而忽视了产生这一结果的内在原因。本文简述了徐渭书画转型性特征,并试图找出造成这一形式转型的各种动力因素所在,认为哲学上的心学转型是其重要原因之一。
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| 关 键 词： | 徐渭 书画转型 心学 |
| 文章编号： | 1672-8580(2007)01-0120-05 |
| 修稿时间： | 2005年10月2日 |
The Transformation of XU Wei's Calligraphy and Painting and It's Philosophy of Heart Background in the Late Ming Dynasty |
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| FAN Mei-Jun.The Transformation of XU Wei''''s Calligraphy and Painting and It''''s Philosophy of Heart Background in the Late Ming Dynasty[J].Journal of Sichuau University of Science & Engineering:Social Sciences Edition,2007,22(1):120-124. |
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| Authors: | FAN Mei-Jun |
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| Abstract: | XU Wei is regarded as a creative man in the art realm of the calligraphy and painting in the late Ming Dynasty of China. How did his calligraphy and painting form in the big and small social environment? In the past, the researchers usually studied the result of the transformation, but neglected the reasons for this result. This paper describes the characteristics of the transform, tries to find the drive for the transform, and thinks the transformation of philosophy of heart was an importance factor. |
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| Keywords: | XU Wei transform of calligraphy and painting philosophy of heart |
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