The Problem with Tragic Narratives: Lessons from the Los Angeles Uprising

This article considers the different media narratives about the 1992 Los Angeles uprising, in order to explain how the genre of tragedy became the most powerful representational form for talking about race and civil society during the 1990s. Three narrative mechanisms were used to shift discussions of race and civil society toward the tragic frame: (1) a change in temporality, (2) the rhetorical failures of politicians, and (3) the emplotment of new events into the dominant tragic narratives. Because most crises get their dramatic power from the tension between romance and tragedy, the shift to tragic discourse led to cynicism, skepticism, resignation, and inaction. The article concludes by arguing that the search for genre imbalance is an important tool for those interested in studying culture and ideology during times of crisis.