| 参军戏与胡乐补论 |
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| 引用本文： | 黎国韬. 参军戏与胡乐补论[J]. 广州大学学报(社会科学版), 2009, 8(3): 69-73 |
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| 作者姓名： | 黎国韬 |
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| 作者单位： | 中山大学中国非物质文化遗产研究中心,广东,广州,510275 |
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| 基金项目： | 国家社科基金重点项目(08AZW002)子课题，教育部人文社科一般项目 |
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| 摘 要： | 在“参军戏原为胡部乐”这一观点的基础，对参军戏与钟馗、参军戏与祆教等的关系问题再作探讨，可以得出以下观点：其一，参军这一脚色的扮相受到钟馗形象的影响，由于钟馗染有胡俗，这就可以推断出参军戏具有胡乐的渊源；其二，凡有参军戏演出及有钟馗出现之处，每每就有祆教因素的存在，说明参军戏与胡人宗教火祆教之间有着某些内在联系。
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| 关 键 词： | 参军戏 胡乐 钟馗 火祆教 |
Additional Discussion on Chan-Jun-Drama and Hu-Music |
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| LI Guotao. Additional Discussion on Chan-Jun-Drama and Hu-Music[J]. Journal of Guangzhou University(Social Science Edition), 2009, 8(3): 69-73 |
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| Authors: | LI Guotao |
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| Affiliation: | China's Research Center of Intangible Cultural Heritage;Sun Yat-Sen University;Guangzhou;Guangdong 510275;China |
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| Abstract: | According to the view that Chan-Jun-Drama originated from Hu-Music,this paper further discusses the relations between Chan-Jun-Drama and Zhong Kui and between Chan-Jun-Drama and Zoroastrianism.Two viewpoints have resulted from the discussion.First,the role of Chan-Jun is greatly influenced by the Zhong-Kui's image,which has absorbed some elements of the custom of the Hu-People.Secondly,where there is a Chan-Jun-Drama performance with a Zhong-Kui's image it always has some elements of Zoroastrianism,which in... |
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| Keywords: | Chan-Jun-Drama Hu-Music Zhong-Kui Zoroastrianism |
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