中国古代山水诗审美意象的流变

魏晋南北朝时期的山水诗意象,从公宴聚会的华丽,到香草意象的寄托、寺庙山水的义理,到真正山水的清新描写,昭示着山水诗意象从美颂比兴到自然审美的发展。唐代寺庙道观成为山水诗的审美所在,梅竹和亭意象的固化,是宋代山水诗意象的代表。题山水画是唐宋山水诗中经常出现的意象,表现了诗画合一的审美。元明清时期有大量名家名品山水画题诗出现,进一步发展了梅、竹松、鹤等高洁意象,特别是诗人别号、文集体现的山水诗意象非常普遍。这一时期呈现出前代少有的边远、异域山水意象,表现出时人开放、广袤的情怀。

The Aesthetic Images Change of Ancient Chinese Scenic Poems

The images of scenic poems in Wei-Jin and Southern-Northern Dynasties range from sumptuous parties and vanilla to temples and landscape.In Tang-Song Dynasties,landscape paintings are the popular images in scenic poems,and the temple images in Tang Dynasty are different from the plum,bamboo and pavilion images in Song Dynasty.In Yuan-Ming-Qing Dynasties,the noble nature of the plum,bamboo,pine and crane images are further developed,and the images of remote and foreign regions begun to appear in scenic poems ...