| 论鼓吹曲辞与中古时代音乐舞蹈史诗的创作 |
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| 引用本文： | 张树国. 论鼓吹曲辞与中古时代音乐舞蹈史诗的创作[J]. 广州大学学报(社会科学版), 2012, 0(2): 69-75 |
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| 作者姓名： | 张树国 |
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| 作者单位： | 杭州师范大学古代文学与文献研究中心 |
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| 基金项目： | 国家社科基金项目(09BZW021);教育部人文社科一般项目(06JA75011-44024) |
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| 摘 要： | 魏晋迄唐的乐舞史诗主要保存在《宋书·乐志》、《隋书·音乐志》及《乐府诗集·鼓吹曲辞》中，为沿用《汉铙歌十八曲》曲调而创作的新题乐府，表现历代王朝开国承家的诗性历史。乐舞史诗作为独具民族特色的史诗范型，与中古时代战争频仍、改朝换代频繁有直接关系，同时也体现了音乐制度、民族艺术等方面的广泛影响。
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| 关 键 词： | 鼓吹曲辞 中古时代 乐舞史诗 |
On the connection of ensemble songs of wind and percussion music with music-dancing epics in medieval times |
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| ZHANG Shuguo. On the connection of ensemble songs of wind and percussion music with music-dancing epics in medieval times[J]. Journal of Guangzhou University(Social Science Edition), 2012, 0(2): 69-75 |
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| Authors: | ZHANG Shuguo |
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| Affiliation: | ZHANG Shuguo(Research Centre of Ancient Literature and Documents,Hangzhou Normal University,Hangzhou,Zhejiang 310036,China) |
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| Abstract: | The music-dancing epics from Wei dynasty to Tang dynansty were preserved in SONG-SHU-YUE-ZHI(music documents of the history book of Song dynasty),SUI-SHU-YIN-YUE-ZHI(music documents of the history book of Sui dynasty),and YUE-FU-SHI-JI.They were new theme poems which followed the melody of Eighteen-Nao-ge of Han dynasty,and emdodied the poetic history of each dynasty in the initial period.The music-dancing epics as a unique model of epic were connected directly with wars between the nations and dynasty changes,simultaneously they were affected by the musical system and the nation’s arts. |
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| Keywords: | ensemble songs of wind and percussion music medieval times music-dancing epic |
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