关于陈子昂诗歌理论理解的几点辨正

《修竹篇序》无疑是陈子昂诗歌理论的代表文献,表达了陈氏诗歌理论的主要观点,但我们又绝不能仅仅据此一《序》来论定陈氏诗歌理论的全部观点。要准确理解陈氏诗歌理论,必须对陈氏写此《序》的特殊背景、陈氏对诗歌其他看法以及陈氏创作实践等等因素作整体观,方可减少片面之嫌。学术界普遍认定的陈氏只重汉魏而反晋宋和齐梁的观点,也十分不妥。其实,陈氏虽重汉魏,然亦重晋宋,陈氏认为“汉魏”以“风骨”见长,“晋宋”以“兴寄”擅胜,其诗论中“兴寄”一说的理论内涵实根植于晋宋而非汉魏,陈氏对齐梁诗也不是全盘否定,虽然在陈氏看来齐梁诗“风骨”无存,“兴寄”都绝,但对它在律诗方面的贡献并未抹杀。

Correct Several Errors in Understanding Chen Zi''''ang''''s Poems

Xiuzhubianxu is definitely a representative work of Chen Zi'ang's poetic theories,covering his major points of view on poetry.To grasp his theory correctly,we should absorb not merely from the book,but also from the background he wrote it and his attitudes towards other poems as well as the process of his creation.Different from the widely-held opinions in academic circles,this paper held that he laid same stress on both poetry of the Han and Wei Dynasties and that of the Jin and Song Dynasties.Chen also considered the former stood for moral integrity and the latter meditation.In his views,the meditation came from the former rather than the latter,and contribution of poetry in the Qi and Liang Dynasties could not be neglected,for their lushi had achieved a great progress in the development of this poem.