| 留学背景与中国艺术史学的现代转型 |
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| 引用本文： | 谢建明,张昕.留学背景与中国艺术史学的现代转型[J].东南大学学报(哲学社会科学版),2009,11(5). |
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| 作者姓名： | 谢建明 张昕 |
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| 作者单位： | 东南大学艺术学院,江苏南京,210096 |
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| 摘 要： | 五四前后留学归来的一批学者,如滕固、宗白华、马采、邓以蛰等,对中国艺术史研究的最大贡献之一就是推动中国艺术史研究由传统模式向现代转型,即在艺术史观、研究方法、写作体式等方面明显区别于传统的艺术史研究,这种转型是基于中西文化交融格局中形成新的文化力量和学者的创造性活动共同作用的结果。
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| 关 键 词： | 留学背景 艺术史学 现代转型 |
The relationship between overseas study experience and the modern reforming of the Chinese arts history |
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| XIE Jian-ming,Zhang Xin.The relationship between overseas study experience and the modern reforming of the Chinese arts history[J].Journal of Southeast University(Philosophy and Social Science ),2009,11(5). |
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| Authors: | XIE Jian-ming Zhang Xin |
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| Abstract: | The scholars returning to China in the May 4th Movement around 1919,like Teng Gu,Zong Baihua,Ma Cai,and Deng Yizhe,made great contribution to the Chinese arts history research,that is,promoting the transformation of the traditional pattern to the modern one which is distinguishable in artistic history viewpoint,research methodology and writing style. The paper proposes that the scholar's creativity and the new culture developed in the conflict and fusion of the Chinese and western cultures around 1919 made the transformation possible. |
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