| “疯狂”的意义——感受贝恩哈德戏剧 |
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| 引用本文： | 李昌珂. “疯狂”的意义——感受贝恩哈德戏剧[J]. 同济大学学报(社会科学版), 2005, 16(6): 9-12,67 |
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| 作者姓名： | 李昌珂 |
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| 作者单位： | 北京大学,外国语学院,北京,100871 |
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| 摘 要： | 戏剧是托马斯·贝恩哈德获得更大社会成就的途径.他的戏剧有"疯狂"的特征和"残缺"的特点.构成了上个世纪70年代德国戏剧的新的审美机制,表达了时代社会的思想苦闷和精神荒凉.
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| 关 键 词： | 贝恩哈德 " 疯狂" " 残缺" 精神荒凉 |
| 文章编号： | 1009-3060(2005)06-0009-04 |
| 修稿时间： | 2005-11-05 |
The Meaning of Craziness: To Appreciate the Plays by Thomas Bernhard |
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| LI Chang-ke. The Meaning of Craziness: To Appreciate the Plays by Thomas Bernhard[J]. Journal of Tongji University(Social Science Section), 2005, 16(6): 9-12,67 |
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| Authors: | LI Chang-ke |
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| Abstract: | Playwriting is the access to greater social achievement for Thomas Bernhard.His plays are distinguished by their craziness and deformity,which construct the new aesthetic standards for playwriting in the 1970s' Germany.It demonstrates the mental depression and spiritual barrenness of that society and that time. |
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| Keywords: | Bernhard craziness deformity spiritual barrenness |
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